MAY 2022 - IN THESE CIRCUMSTANCES: ON COLLABORATION, PERFORMATIVITY, SELF-ORGANIZATION AND TRANSDISCIPLINARITY IN RESEARCH-BASED PRACTICES EDITED BY A.PASS: AN INTERNATIONAL ARTISTIC AND EDUCATIONAL RESEARCH ENVIRONMENT FOCUSING ON PERFORMATIVITY AND SCENOGRAPHY.
This book discloses a history of the methods of artistic research in the context of the academisation of art education, and an abrasion of the once unbridled scene of artist-run organisations in Northern Europe. There are 35 contributions, many of them collaborative, ranging from concrete projects to inter- rogative speculations about artistic research. It aims to demonstrate how artistic research operates institutionally through a complex intertwinement of practices and how a.pass, over the past 14 years, has carved out a space for artistic research to imbricate in fields of both art and education, and stir the sediments of disciplinary enclosures.
COVER IMAGE TAKEN BY AFTER AFFECT CLINIQUE a project by LAURA PANTE, A.PASS - BRUXELLES (2019).
Text - YOUR BLOOD IS STREAMING MY WIFI IS DREAMING_ WORKING SECTION ON PEDAGOGY AGENCY AND PERFORMATIVE MATTER BY LAURA PANTE IN CONVERSATION WITH PIERRE RUBIO.
NOVEMBER 2021 - quaderno Peng X - EDITETED BY XING, CURATED BY SILVIA FANTI AND DANIELE GASPARINETTI. TEXT: FOR YOUR EYES ONLY on th collaboration with Cristina kristal rizzo’s project titled sonno performed together at live art week X - bologna (2021).
SINCE MARCH 2019, I started a column on the online edition of cactus magazine: panoramacactusdigitale.com. This collaboration encloses a series of texts devoted to the encounter of practice and theory in dance-making and performing art.
The column is called Habitat Serie, a concept I took from my collaboration with Cristina Kristal Rizzo, who is also the subject of my first reflection there. An habitat would be a sustainable ecosystem able to transform the labour of dancing languages in the meanwhile of their making and appearing.
KRISTAL’S ALCHEMY - on the choreogaphic practices of CRISTINA KRISTAL RIZZO - https://panoramacactusdigitale.com/the-alchemy-of-cristina-kristal-rizzo/
GHOST IN REAL TIME(S) - on the last dance piece of BAROKTHEGREAT - https://panoramacactusdigitale.com/ghost-in-real-times/
texture with humans and features- on tje visual artist anna franceschini - https://panoramacactusdigitale.com/texture-with-humans-features/
infra - night . in the dance practice of annamaria ajmone
enrico malatesta - pyrotechincs - on the artistic processes of the sound artist and performer enrico malatesta - https://panoramacactusdigitale.com/enrico-malatesta-pyrotechnics/
AFTER AFFECT CLINIQUE // a presentation for apass end communications. Bruxelles - september 2019.
no house no space no place - your blood is streaming your wifi is dreaming a performative text written and mixed by me, performed or given as a trace during the activation of the piece. those kind of text are often conceived BY ME in order to perform and present the other '“paGe” embodied by the composition and formally articulated USING a set of DIFFERENT media.
THE BEST IS ALWAYS YET TO COME a performative text written and mixed by me, GIVEN AS A LETTER AFTER the activation of the ONE-TO-ONT PERFORMANCE. those kind of text are often conceived BY ME in order to perform and present the other '“paGe” embodied by the composition and formally articulated USING a set of DIFFERENT media.
